US Government Essays (3844 words) - , Term Papers

US Government William Jefferson Clinton William Jefferson Clinton was born on August 19, 1946, in Hope, Arkansas. His father, William J. Blythe III was killed in an automobile collision just two months before William's birth. At age four, William Jefferson Blythe IV was legally adopted by his mothers second husband, Roger Clinton, making him William Jefferson Clinton. At age 22 William received a Bachelor's degree from Georgetown University. Just five years later, he received his law degree from Yale. Soon after graduating from Yale, he became a law professor at the University of Arkansas. He did not stay in one place for long though, and in 1978 he became the Attorney General of Arkansas. From this political position, he moved higher up in the ranks and in 1978 won the election for the gubernatorial seat of Arkansas. In the 1980 elections, however, William (Bill) was defeated by Republican Frank White. As the youngest governor of Arkansas in 40 years, Bill then became the youngest ex-governor in United States history. During the interim, Clinton was hired by the law firm Wright, Lindsey and Jennings. In the 1982 elections, Mr. Clinton went after the position of governor with renewed vigor and defeated incumbent Republican Frank White. During the campaigning for the election a Time magazine article stated: "If Clinton does win, it could seem like less a comeback than a canny mid-course correction in the path of a young, bright political star." Clinton went on to win the next two gubernatorial elections in the state of Arkansas. In 1988 he had the possibility of a Democratic Party presidential nomination, but he refused to run. Finally, in 1991, Clinton announced that he was going to run for President of the United States. In the 1992 election, Bill Clinton ran against Republican incumbent George Herbert Walker Bush and independent Ross H. Perot. During the campaign, Bill met with some difficulty when the media discovered that he had dodged the Vietnam draft, been unfaithful to his spouse, and smoked marijuana while attending Oxford. Bill placated the liberal-biased media by saying that he didn't believe in the war, and he "didn't inhale." Opposition mounted when reporters discovered that Clinton and his wife, Hillary Rodham, whom he married in 1975, had made some questionable dealings over a piece of real estate referred to commonly as Whitewater. Despite the seemingly insurmountable odds, Clinton won the election, with 46% of voting Americans supporting him. Antonin Scalia, Supreme Court Justice Antonin Scalia was born March 11, 1936 in an Italian majority section of Trenton, New Jersey. His father, Eugene Scalia was a literary scholar and a professor of Romance Languages at Brooklyn College. His mother was an elementary school teacher. Scalia attended Xavier High School, a Catholic Military academy. He graduated, first in his class, in 1953. One of his good friends once said: "He was brilliant, way above everybody else." He later majored in History at Georgetown University in Washington, D.C., where he again graduated first in his class. Soon after leaving Georgetown, he enrolled in Harvard Law School, where he was known around the campus as an effective debater. From Harvard he earned an LL. B. Degree and in 1960 joined the Cleveland based law firm Jones, Day, Cockly and Reavis. He was one of the most straightforward conservatives on the staff and there too earned a reputation as a debater. Later, President Richard Nixon appointed Scalia to the position of Part-time General Counsel in Executive Office of Telecom Policy. He was confirmed by Congress under the Gerald Ford administration for the position of Assistant Attorney General in charge of the Justice Department's office of legal counsel. At that time his job was mostly to give advice to the President and the Attorney General. In 1977 he became a Professor at the University of Chicago Law School. Antonin Scalia is now an associate justice of the United States Supreme Court. He took his oath in 1986 and is the first Italian-American Supreme Court Justice. He was part of President Ronald Reagan's effort to make the judiciary system more conservative. Mr. Scalia is very outspoken against racially based affirmative action programs and the "Constitutional Right" to abortion. His views are closely related to those of the Reagan administration. Scalia is a very intelligent individual, has an elegant writing style, and has personal charm that makes him an influential member on the Supreme Court. Legislative Department The Legislative Department consists mostly of the House and the Senate, the two parts of Congress. The Senate has 100 members or two per state. The House

Criminal Evidence essays

Criminal Evidence essays Evidence is information offered in court to prove or disprove a fact and to show that a crime was committed. It is shown in court as an item of proof, to impeach or rehabilitate a witness, and to determine a sentence. Evidence can come in the form of weapons, documents, pictures, tape recordings, or exhibits. There are four different types of physical evidence that are considered in court. The first are the fruits of the crime, which is what the suspect gets out of the crime. The instrumentalities of the crime are the means by which the defendant actually committed the crime, such as by a gun, knife, or crowbar. The third type of physical evidence is contraband, which is a crime by possession. Mere Evidence is any other type of physical evidence. Two other types of evidence are direct and circumstantial. Direct evidence proves a fact directly, and often comes from eyewitnesses. Circumstantial evidence requires the court to make an inference or assumption about the case. Evi dence offered in court must be competent. It is considered incompetent if offered by an incompetent witness, obtained in violation of constitutional provisions, or if it is not properly prepared and safeguarded through the chain of custody. According to the book Hard Evidence by David Fisher, the chain of custody is a legal standard which prescribes the handling and documentation necessary for specimens and testing to be admissible as evidence in a court of law. Admissibility of laboratory testing results as court evidence will be compromised if Chain-of-Custody protocol is not strictly followed by all who handle, store, test, and report on such specimens. The chain of custody begins when the evidence is collected at the crime scene and continues until the evidence is officially disposed of. Each person who has custody of the evidence is responsible for its preservation and safekeeping. Each piece of the chain of evidence must include sp...

Why You Shouldnt Trust Homeschooling Statistics

Why You Shouldn't Trust Homeschooling Statistics When arguing the pros and cons of any issue, its usually helpful to have agreed-upon facts on hand. Unfortunately, when it comes to homeschooling, there are very few reliable studies and statistics available. Even something as basic as how many children are being homeschooled in a given year can only be guessed at. Here are a few of the reasons you should take any facts and figures you see regarding homeschooling - good or bad - with a grain of salt. The Definition of Homeschooling Differs Would you consider all these children homeschoolers? A child enrolled in a virtual public charter school who does all schoolwork at home.A child who spends part of the week in public school classes.A child who homeschooled some years but not others. When it comes to counting heads and drawing conclusions, its important to compare apples with apples. But since different studies use different definitions of homeschooling, its hard to know if studies are actually looking at the same group of kids. For instance, a report from the National Center for Education Studies, part of the U.S. Department of Education, includes students who spend up to 25 hours a week - five hours a day - attending classes in a public or private school. Its hard to equate that experience to that of a child who has never sat in a classroom. States Dont Keep Complete Records of Who Homeschools In the U.S., it is the states that oversee education, including homeschooling. And each states laws on the matter are different. In some states, parents are free to homeschool without even contacting the local school district. In other states, parents must send a Letter of Intent to homeschool and submit regular paperwork, which can include the scores of standardized tests. But even in states where homeschooling is closely regulated, good numbers are hard to come by. In New York, for example, parents must submit paperwork to the school district - but only for children within the age of compulsory education. Below the age of six, or after age 16, the state stops keeping count. So its impossible to know from state records how many families choose to homeschool kindergarten, or how many teens go on from homeschooling to college. Widely-Quoted Studies Are Biased Its hard to find an article about homeschool in the national media that does not include a quote from the Home School Legal Defense Association. HSLDA is a nonprofit homeschool advocacy group that offers legal representation to members in some cases involving homeschooling. HSLDA also lobbies state and national legislatures to present its conservative Christian viewpoint on issues regarding home education and family rights. So its fair to question whether HSLDAs studies represent only its constituents and not homeschoolers from other walks of life. Likewise, it seems reasonable to expect that studies by groups in favor of or opposed to homeschooling will reflect those biases. So its not surprising that the National Home Education Research Institute, an advocacy group, publishes studies that show the benefits of homeschooling. Teachers groups like the National Education Association on the other hand, often release statements criticizing homeschooling simply on the basis that it does not require parents to be licensed teachers. Many Homeschooling Families Choose Not to Take Part in Studies In 1991, Home Education Magazine ran a column by Larry and Susan Kaseman which advised parents to avoid taking part in studies about homeschooling. They argued that researchers could use their school-based biases to misrepresent the way that homeschooling works. For instance, a question about how many hours are spent teaching implies that parents should be sitting down with their kids doing desk work, and ignores the fact that a lot of learning happens in the course of everyday activities. The HEM article went on to say that academics who conduct studies often come to be regarded as experts on homeschooling, by the public and sometimes by homeschooling parents themselves. Their fear was that homeschooling would come to be defined by the measures looked at in the studies. Along with the issues raised by the Kasemans, many homeschooling families dont take part in studies to preserve their privacy. Theyd simply rather stay under the radar, and not risk being judged by people who might disagree with their educational choices. Interestingly, the HEM article came out in favor of case histories. According to the Kasemans, interviewing individual homeschooling families to hear what they have to say about their educational styles is a more effective and accurate way to provide data on what homeschooling is really like. Many Scholarly Studies Are Stacked Against Homeschooling Its easy to say that most homeschooling families are not qualified to educate their own children - if you define qualified to mean certified to teach in a public school. But could a medical doctor teach her children anatomy? Of course. Could a published poet teach a homeschool workshop on creative writing? Who better? How about learning bike repair by helping out in a bike shop? The apprenticeship model worked for centuries. Measures of public school success like test scores are often meaningless in the real world, as well as in homeschooling. Thats why demands that homeschoolers submit to more testing and studies that look at homeschooling through the lens of traditional schooling can miss the true advantages of learning outside a classroom. Homeschool Research to Take With a Grain of Salt Here are some links to research on homeschooling, from a variety of sources. Number of Homeschoolers by State: Updated listings by Ann Zeise from A2Z Homes Cool.The International Center for Home Education Research: Formed in 2012, this group says it provides nonpartisan information about homeschooling.Education Week Homeschooling article: Overview from 2011 with links to related articles and studies.New Nationwide Study Confirms Homeschool Academic Achievement: HSLDA article with links to studies.1.5 Million Homeschooled Students in the United States in 2007: Article from the National Center for Education Studies.What Have We Learned About Homeschooling?: Article by E. Isenberg from the Peabody Journal of Education, 2007, that discusses the lack of reliable data on homeschooling.Home Schooling in the United States: Trends and Characteristics: Study by K. Bauman published in Education Policy Analysis Archives in 2002, using data from the 1990s.

4 journal questions Essay Example | Topics and Well Written Essays - 500 words

4 journal questions - Essay Example When children go to school they acquire civic development. The school also plays the role of emotional development to the children. The school plays the role of cognitive, vocational and social development to the children. In the recent, the role of school has been changing as the parents take their children to school at early age. Parents take their children to school at early age in for the purpose of being taken care. Parents who go to work decide to take their children to school instead of employing house help to take care of them. School also plays the role of career development as children are told to study hard in order to get a good job (Clark 71). Economic, gender, culture and learning style factors helps the students to succeed in different ways while at school. Economics helps students to develop management skills. Economics enables students to understand how they can manage their fund and budget their income in future. Gender helps the student to develop social skill. Gender interaction makes the students to be more social and know how to interact with people despite their gender. Culture helps the students to develop interaction skills and socialization. Students learn different culture and how to interact with people from different cultural back ground and ethnic groups. Learning styles helps the student to be critical thinkers. Through the use is different learning styles, students become critical thinkers (Clark 64). Parents expect their children to learn new concepts and ideas in school. Parents expect the students to be in the hands of effective and committed staff who can not expose the children to drugs, harassment and bullying. Students also expect their children to learn democratic values of multicultural and also the society culture. Parents also expect their children to develop social competencies in school. Parents are left home believing that children learn positive things and not negative things like alcoholism and

A Very Old Man with Enormous Wings Research Paper

A Very Old Man with Enormous Wings - Research Paper Example Although this novel and story are different in the content that they analyze and the overall message that is brought to bear upon the reader, the exemplification of the magical realism that typifies Marquez method of conveyance helps the reader to more completely and fully understand the term as a function of what it means to literature and the understanding thereof. As a means to understand the literary contrast and comparisons that exist between these two stories, this analysis will consider the mechanisms by which the author relates the subtext that each story necessarily engenders. The first of these works, Marquez’s Hundred Years of Solitude tells the story of a local town leader who finds his life forever changed by the presence of traders who bring the marvels of modern science to his otherwise simple and somewhat backwards world. As a function of his fascination with these marvels, the protagonist immerses himself in pseudo-scientific study and alchemy in the hopes tha t he can use the marvels that these traders have brought to greatly enhance his own life, the life of his family and that of his people (Ahmad et al 47). However, the result of his experiments does not lead in the direction that he hoped as he merely becomes more and more ostracized from his own family and people; continuously seeking for borderline supernatural approaches to better himself and those around him. The story further evolves as a type of allegory with regards to how the protagonist represents the culture that comes into contact with the marvels of the Western world yet at the same time must suffer the destructive nature that such a contact necessarily brings with it. As a function of creating this comparison, the author invokes the magical understandings of what had previously defined the culture as compared to the rigid scientific methods that the protagonist attempts to force to coincide with a much simpler albeit more mysterious way of life that his people had experi enced prior to the arrival of the gypsy traders. However, what is unique in the mechanics of the story is the scope of action that it encompasses. As compared to the second story which will be considered, the subject matter is spread over a long time period that â€Å"magically† encompasses the life of a single individual (Mills 114). As a means to engage the reader on the range of intercultural issues that arise as a result of Europe meeting the Western Hemisphere, the author has a wealth of information and parallels that can be drawn that work to help the story to cover a much longer time span than would have been available had a different medium other than magical realism been utilized. With regards to the second story in question, â€Å"A Very Old Man with Enormous Wings†, the author takes a different approach to imparting the magical realism that defines the story. Rather than analyzing the action that takes place over an indefinitely long period of time, the auth or instead chooses to focus on the juxtaposition of human emotion as a function of the way that the individuals within the story engage practical versus non-practical as well as the feeling of sympathy and selfishness. As the â€Å"fallen angel† of the story is uniquely different from human interpretations of what an angel should be, the villagers do not know what to make of it (Corso 44). In this way, the protagonist of the story feels compunction to care for the creature. However, rather than representing the action

Chinese Literature Essay Example for Free

Chinese Literature Essay 1. Shang Dynasty (about 1700-1050 BC) Development of Chinese Writing * Historical record and archaeological evidence are present in this era. * Hieroglyphic writing system later evolved into ideographic and partly-phonetic Chinese characters. 2. Zhou Dynasty (1045-255 BC) Basic Philosophical and Religious Literature * The great literary works of philosophy and religion that became the basis for Chinese religious and social belief stem from what is called the Spring and Autumn Period (770-476) and the Warring States Period (475-221). * Taoism, Confucian literature, and other prominent religious and philosophical schools all emerged during these two periods or the so called â€Å"One Hundred Schools of Thought. † * They say that most of the philosophical and religious works of that time were destroyed. If there were great fictional books created, they have been lost. 3. Qin Dynasty (221-206 BC) Literary Disaster and Legalism * A big philosophical and religious school then was called Mohism. * An early form of Buddhism was also established in China at that time. * The emperor wanted to reduce and destroy the â€Å"One Hundred Schools of Thought† * So the â€Å"Book Burning and Burial of Scholars† was a literary disaster. * The Qin Dynasty standardized the written Classical Language. * The Qin Emperor favored a philosophical school that was called Legalism (æ ³â€¢Ã¥ ® ¶). 4. Han Dynasty (206 BC – 220 AD) Scientific and Historical Texts * Confucian texts were rewritten and republished. Confucianism was mixed with the Legalism philosophy of Li Si. * Sima Qian wrote Historical Records that is a major history concerning the overall history of China from before the Shang Dynasty until the Han Dynasty. * The Han Dynasty era was one of the two main hotspot eras for scientific and technical advance. * Two or three mathematical texts showing advanced mathematics for the times were written. 5. Tang Dynasty (618-907) Early Woodblock Printing and Poetry * This era’s main contribution to Chinese literature was in the poetry of Dufu, Li Bai and many other poets. 6. Song Dynasty (960-1279) Early Woodblock Printing, Travel Literature, Poetry, Scientific Texts and the Neo-Confucian Classics * Has made remarkable scientific and technical advances. * Invention of movable type which helped to spread knowledge since printed material could be published more quickly and cheaply. * Travel literature in which authors wrote about their trips and about various destinations became popular perhaps because the texts could be cheaply bought. * The Confucian Classics were codified and used as test material for the entrance examination into the elite bureaucracy, advanced scientific texts and atlases were published, and important poems were written. * The Five Classics and Four Books were written in the written Classical Language which include: * * Five Classics: * The Book of Changes, * The Classic of Poetry, * The Record of Rites * The Classic of History, and * The Spring and Autumn Annals * Four Books: * The Analects of Confucius * The Doctrine of the Mean * The Great Learning * Analects of Confucius * .Shen Kuo (1031–1095) is said to have discovered the concepts of true north and magnetic declination towards the North Pole * Su Song (1020–1101) wrote a treatise called the Bencao Tujing with information on medicine, botany and zoology. * Song poet named Lu is thought to have written almost 10,000 poems. Su Tungpo is regarded as a great poet of the Northern Song era. Here is a stanza he wrote: â€Å"The moon rounds the red mansion Stoops to silk-pad doors Shines upon the sleepless Bearing no grudge Why does the moon tend to be full when people are apart?† 7. Yuan Dynasty (1279-1368) Drama and Great Fictional Novels * An era whereof some historically renowned dramatic playwrights and novelists who wrote in vernacular language. * The Yuan â€Å"Zaju† style of opera was similar to their shadow plays. Perhaps the playwrights adopted the plots and the features. The music of the Zaju operas was called Yuan Qu (Yuan Music). * After the Yuan Dynasty, the operatic style developed into the Painted Faces style of Chinese opera that was popular until modern times. * Guan Hanqing is regarded as one of the best playwrights of the times. He wrote Midsummer Snow that was one of the most popular drama pieces. * The Romance of the Western Chamber was written by Wang Shifu. It is considered one of the best romantic dramas ever written in China. * Novels were another outstanding achievement of the Yuan era. 8. Ming Dynasty (1368-1644) Novels * The Journey to the West is based on the historical journey of a Buddhist to India during the Tang era to learn Buddhist teachings and bring back scriptures and information. 9. Qing Dynasty (1644-1911) Novels and Pre-modern Literature * In the 19th century, foreign literature and the West became better known. In the middle of this era, the last of China’s four great classic novels was written called Dream of the Red Chamber (ç ´â€¦Ã¦ ¨â€œÃ¥ ¤ ¢); and near the end of the era, modernistic literature developed. * Educated Chinese had easier access to foreign literature, and they were more influenced by Western culture. Chinese Literatures 1. Chinese Classical Prose * Prose writing in ancient and pre-modern China differed from poetry in that it was less rigidly structured and wasnt like verses in a song or like one of the common styles of poetry. But compared to English prose, literary prose before the year 1900 was often much more formalized. * Classical prose can be divided into three types called * Piantiwen style or parallel prose style is more formalized style of prose writing * Guwen style is less formal and more ancient style * Vernacular style which is used in operatic dramas and in the Four Classic Novels of Chinese literature. 2. Chinese Poetry * Poetry has been a favorite literary genre for thousands of years. Poetry isnt taken very seriously in the West, especially in the last two hundred years, but Chinese ancient poetry is still read and ancient Chinese poets are honored. * There are Five Major Kinds of Major Ancient Poetic Styles * Shi è © © poems are composed of couplets. They are poems of two more coupled lines. The two lines of a couplet usually rhyme and match rhythmically and complement each other tonally. Modern Mandarin only has five tones, but ancient languages usually had more, so the tonal rhythms are generally lost. * Ci è ©Å¾ poetry can be described as poems that have patterns of syllables and tonal patterns. In making a Ci poetry, a poet chooses words that fit a specific pattern. These patterns may have once been part of a song. But the music has been lost. There are various patterns that provided affective settings for various effects or moods. * Ge æ ­Å' means song. Ge poems are the words to a song that can be sung. There were folk songs as well as songs composed by the literate and educated composers. * Qu æ› ² is the style of music and song in the operas or Mongol Music. The songs from the operas and popular songs were a poetic style that was also popular in later eras. The poetic style is freer of form. * Fuè ³ ¦ is the fifth major style of poetry . These are descriptive poems that contain both prose and couplets. These were popular about 1,500 years to 2,000 years ago. Often poets included rare or unusual written characters from preceding eras in their poems. * The greatest ancient poets are thought to lived in the Tang, Song, and Han eras. The following were considered to be the exemplary poets: * Du Fu (712-770) liked to write in a structured form of poetry that was called Lu Shi Ã¥ ¾â€¹Ã¨ © © or regulated poetry. He is thought of as one of the greatest realist poets of China. His poems reflect the hard realities of war, people dying next to rich rulers, and primitive rural life. Here is a famous couplet: â€Å"Behind redden doors stink wine and meat; But upon the road die frozen men.† * Li Bai (701-762) liked to write in a free form poetry like that of more ancient times. This kind of poetry was called Gu Shi (Ã¥  ¤Ã¨ © ©). He wrote about places he visited and things he saw. He is described as a romantic poet. * Su Tungpo (1037-1101) is also called Su Shi. He is regarded as a great poet of the Northern Song era (960-1127). More than 2,000 of his poems survive. Here is a stanza he wrote: â€Å"The moon rounds the red mansion Stoops to silk-pad doors Shines upon the sleepless Bearing no grudge Why does the moon tend to be full when people are apart?† 3. Chinese Scientific Texts * Chinese science texts give an idea of the state of knowledge in the dynastic eras. During several eras,Chinese scientists and inventors led the world in various fields. * Suan Shu Shu (Computation and Numbers Book). It shows how to solve arithmetic problems that officials or people doing business face. * Jiuzhang Suanshu (Nine Chapter Computation Book). The book features basic algebra such as finding cube roots and square roots. Negative numbers are also used. * Zhoubi Suan Jing (The Arithmetical Classic of the Gnomon and the Circular Paths of Heaven) about astronomical problems. It is said text has a mathematical proof for the Gougu Theorem (å‹ ¾Ã¨â€š ¡Ã¥ ®Å¡Ã§ â€ ; a2 + b2 = c2) that is known as the Pythagorean Theorem in the West. A method of determining the distance of the sun from the earth by using a right angled triangle is described. * The second period of rapid scientific and technological advancement was the Song era. Two men in particular stand out: Shen Kuo (1031–1095) and Su Song (1020–1101) both wrote scientific treatises about their research and about various fields. 4. Chinas Classic Novels * Four long fictional novels are usually thought to be the best novels in Chinese literature. And the following two novels set a standard for classical literary works. * The Romance of the Three Kingdoms The Romance of the Three Kingdoms is a semi-historical work said to be written by Luo Guan Zhong. It is historical fiction about the lives and struggles of rulers and the wars at the end of the Han Dynasty and in the Three Kingdoms Period. The novel describes the machinations, court intrigues, and the shifting alliances of the three kingdoms that emerged from the Han Empire. * Water Margin Water Margin is about the lives and ideals of a group of characters who fought against the corrupt Song Dynasty that the Mongols conquered. It is said it was written in vernacular language by Shi Nai An. The setting of the novel is during the Northern Song Dynasty era before the northern part of the Song Empire was overrun by a northern tribe and before the Mongols conquered the whole area. Water Margin is reminiscent of the story of Robin Hood. Likewise, there may have been actual outlaws, and popular legends and stories later grew. But Water Margin is probably more fictional and less historically accurate than The Romance of the Three Kingdoms * The other two novels. * Journey to the West The long tale about a fantastic journey to the west of a group that went to India was written at a time that the Silk Road land routes were blocked by Mongol and Muslim countries. Perhaps one of the reasons the novel was popular was that people during the Ming era wanted to travel to the west, but they couldn’t. The latter Ming Dynasty was isolationist. In the novel, a great intelligent monkey and a small band of characters protects a defenseless monk during his journey. Buddha commissioned the monk to help India that had fallen into gross sin and immorality. The monkey and other characters have magical skills. Journey to the West is thought to have been published anonymously by Wu Chengen in the 16th century though scholars have doubt about the authorship. * The Dream of the Red Chamber The fourth major novel that made an impact on Chinese history and literature is The Dream of the Red Chamber. It was the last of the Four Classic Novels to be written. It is about the fortunes and lives of the people of two branches of a clan in the Qing Dynasty (1644-1911) era. The two families had adjacent compounds. It is appreciated because it gives a view into the lives of two ruling families of that time. One of the members of the clan was made a concubine of an emperor. But then the imperial court turned against the two families.

Douglas Monroys Thrown Among Strangers: The Making of Mexican Culture

Douglas Monroy's "Thrown Among Strangers: The Making of Mexican Culture in Frontier California" When Spaniards colonized California, they invaded the native Indians with foreign worldviews, weapons, and diseases. The distinct regional culture that resulted from this union in turn found itself invaded by Anglo-Americans with their peculiar social, legal, and economic ideals. Claiming that differences among these cultures could not be reconciled, Douglas Monroy traces the historical interaction among them in Thrown Among Strangers: The Making of Mexican Culture in Frontier California. Beginning with the missions and ending in the late 1800s, he employs relations of production and labor demands as a framework to explain the domination of some groups and the decay of others and concludes with the notion that ?California would have been, and would be today, a different place indeed if people had done more of their own work.?(276) While this supposition may be true, its economic determinism undermines other important factors on which he eloquently elaborates, such as religion an d law. Ironically, in his description of native Californian culture, Monroy becomes victim of the same creation of the ?other? for which he chastises Spanish and Anglo cultures. His unconvincing arguments about Indian life and his reductive adherence to labor analysis ultimately detract from his work; however, he successfully provokes the reader to explore the complexities and contradictions of a particular historical era. In the first section, Monroy describes the Indian and the Iberian cultures and illustrates the role each played during missionization, as the Indians adapted ?to the demands of Iberian imperialism.?(5) He stresses the differen... ...ough his words refer to historical sources, they also apply to Douglas Monroy himself. Unveiling the intricacies of cultural interactions is a difficult task, and Monroy successfully reveals many of the complexities and contradictions of historical writing. However, he does not escape the tendency to create homogenous ?others.? Portions of his book, such as the treatment of Indians at the mission, are questionable. Although he maintains that his underlying theme is labor relations, the depth with which he writes about law and society seem to dictate a more holistic analysis. Labor relations among conflicting cultures may create history, but believing that history does not create labor relations seems unconvincingly economically determinist. Works Cited: Monroy, Douglas. Thrown Among Strangers: The Making of Mexican Culture in Frontier California . 1990. Douglas Monroy's Thrown Among Strangers: The Making of Mexican Culture Douglas Monroy's "Thrown Among Strangers: The Making of Mexican Culture in Frontier California" When Spaniards colonized California, they invaded the native Indians with foreign worldviews, weapons, and diseases. The distinct regional culture that resulted from this union in turn found itself invaded by Anglo-Americans with their peculiar social, legal, and economic ideals. Claiming that differences among these cultures could not be reconciled, Douglas Monroy traces the historical interaction among them in Thrown Among Strangers: The Making of Mexican Culture in Frontier California. Beginning with the missions and ending in the late 1800s, he employs relations of production and labor demands as a framework to explain the domination of some groups and the decay of others and concludes with the notion that ?California would have been, and would be today, a different place indeed if people had done more of their own work.?(276) While this supposition may be true, its economic determinism undermines other important factors on which he eloquently elaborates, such as religion an d law. Ironically, in his description of native Californian culture, Monroy becomes victim of the same creation of the ?other? for which he chastises Spanish and Anglo cultures. His unconvincing arguments about Indian life and his reductive adherence to labor analysis ultimately detract from his work; however, he successfully provokes the reader to explore the complexities and contradictions of a particular historical era. In the first section, Monroy describes the Indian and the Iberian cultures and illustrates the role each played during missionization, as the Indians adapted ?to the demands of Iberian imperialism.?(5) He stresses the differen... ...ough his words refer to historical sources, they also apply to Douglas Monroy himself. Unveiling the intricacies of cultural interactions is a difficult task, and Monroy successfully reveals many of the complexities and contradictions of historical writing. However, he does not escape the tendency to create homogenous ?others.? Portions of his book, such as the treatment of Indians at the mission, are questionable. Although he maintains that his underlying theme is labor relations, the depth with which he writes about law and society seem to dictate a more holistic analysis. Labor relations among conflicting cultures may create history, but believing that history does not create labor relations seems unconvincingly economically determinist. Works Cited: Monroy, Douglas. Thrown Among Strangers: The Making of Mexican Culture in Frontier California . 1990.

Araling Panlipunan Essay

1.How does the Bible view the family? Just like how God created people in his own image and likeness, He also wants us to have a family that is similar to the holy family. The bible says that each member of the family has a role. The father, as the head of the family, should stand strong for his family. The mother on the other hand, acts as the guide. Not only has God asked them to imitate the holy family to provide proper parentage, but He has also placed big responsibilities upon their shoulders. The children’s role is to do their best to respect their parents for it is stated in the fourth commandant to â€Å"Honor thy father and thy mother†. 2.Give 5 examples of factors that attack the family. Explain. a.Disparity of religion – Parents of the children may have different religions and this may affect their faith and their worshipping. They will have a problem raising their children in one belief. b.Cultural differences – The traditions may affect the family because one person might be doing something out of tradition that is not proper for the other’s culture. c.Instability of marriage – The instability of the marriage of parents can affect the family greatly, because from this, the family might result to becoming a broken family. d.Domestic abuse – Abusing a member of the family may cause them to have strained familial relationship. It will be hard to trust one another after the abuse, and trust is very important because it’s one of the foundations of a strong relationship. e.Infidelity – Parents fight over little things, but infidelity is a different story. This may cause not only problems within the family but outside things may al so be affected, like the studies of the children and the emotional, mental and physical health of each family member. 3.What is the stand of the church against RH Bill? The church is against the RH Bill because they see it as an anti-life bill. They believe that overpopulation, which the government says is the main cause of poverty, is not the real reason but corruption. 4.What is your stand against the RH Bill? I believe that the RH Bill must be imposed. I don’t think that the RH Bill promotes anti-life. It is merely for protection of the population growth. Population growth may not be the cause of poverty but it is surely killing the Philippines. Our country, especially in Metro Manila, cannot hold more people. If the RH Bill is rejected, the Filipinos, being innovative, will try and find ways to look for alternatives for contraception. They might also start illegally producing contraception which will earn Filipinos more criminals which is the last thing the society needs right now. 5.How does the state protect the family? The state does not promote divorce in the country. It is illegal for couples to separate except for some circumstances which can be considered. The state also does not approve of abortion. This can save many lives. The state also has programs which are against child abuse, sexual harassment and other things that help protect the right of a human being. With these, we can trust that the relationship of every Filipino family is safer.

Management in Libraries Essay

Economic threat to the libraries by escalation of books and journals, fewer resources, constant growth changes in technology and user high expectation have shown that management is the critical factor that determines efficiency and effectiveness of all types of libraries. Thus managers are expected to play different functions in order to be effective and efficient. In this assignment different functions and roles played by managers in different libraries are discussed showing how they improve efficiency and effectiveness and different laws of library management are discussed. DEFINITION OF TERMS Management Effectiveness defined by Bateman, T is â€Å"doing things right†. This means that the manager has the responsibility for selecting the right goals and appropriate means to achieving it. Efficiency is measuring the cost of attaining a given goal, concerned about how resources such as money, time, equipment, personnel obtain given goals. Thus a manager needs to be effective and efficient in order to achieve the goals of the library. MAIN DISCUSSION Library management comprise more than just making changes, it involves managing ongoing operations in the optimal fashion for your institution in the context of its goals, other department’s activities and patrons needs. Thus we realize that different libraries may require managerial different managerial skills in order to perform their duties effectively. Managers help in giving direction to the library showing where it is going. Library management involves planning, organizing, leading and controlling. Planning is about systematical making decisions about the library goals. In planning the manager defines the objectives the objectives of the library, stating the purpose of its existence, defining the user community and their information needs. This is important as it facilitates efficiency. It helps in understanding the library stakeholders. A public library is an omnibus organization. It carters for everyone in the community thus the need for every user must be known and fulfilled. A public library serves a diverse community of adults, children and teens thus a manager has to plan on resources to be acquired. A manager can plan on different resources that can be acquired ranging from entertainment, fiction, nonfiction for general research, children story books because there are no specific users, the resources must benefit everyone in the society. A manager also organize and coordinate human, financial , physical, informational and other resources needed to achieve library goals. The manager establishes the activity authority relationship of the library. The activities necessary to achieve the objectives are then grouped into working divisions, departments and grouped together. In an academic library a manager can group together activities like accession and cataloguing The manager has to establish standards for performance; this will make sure that the library is performing in such a way as to arrive at its destination. According to Griffin â€Å"controlling helps to ensure effective and efficiency needed for successful management† As a leader the manager is responsible for staffing which is concerned with allocating prospective employees to fulfill the jobs created by organizing process. It involves the process of reviewing the credentials of the candidates of the jobs and trying to match the job demand with the application s abilities keeping each employee qualified. It also involves the development and implementation of a system for appraising performance and providing feedback for performance improvement. In a special library where the main target is a specific audience, for example ZIMRA library its serves the ZIMRA staff and mainly the manager have to recruit someone who posses research skills because mainly it deals with research for its company. The manager is responsible for choosing the right candidate, who knows how to research, even on the internet where there is information overload the candidate must be able to extract relevant information using the right search engine, mainly in a special library every one depend on the information provided by the librarian. The manager is also responsible for keeping the librarian qualified for the job by providing ongoing training since the librarianship profession is dynamic thus this will improve effectiveness and efficiency of libraries. A manager also gives s direction that will help the library in achieving its goals. Directing builds a climate, provides leadership and arranges the opportunity for motivation this is further explained by Rachel’s laws of library management, it says save time of your staff. This means that the staff must be given support they need for them to achieve goals effectively and efficiently this include providing training for them where it is needed. Each boss must plan and oversee the wok of each of his or her subordinates. In an academic library there are different services offered for example cataloguing and accession section can be directed by one manager then the E- resource section can be under another manager e- journals purchased, subscriptions etc. This will ease the load as one manager is focusing on a specific service thus he spend more time trying to improve the services and working with his subordinates and improves efficiency in the library. As a manager attempts to perform the managerial job effectively and efficiently there is a need to ‘wear different hats’ in interaction with employees. Managers interacts with others besides subordinates they work with other peer level managers in some other departments and outside contacts (suppliers and clients). Thus a manager is building contacts through which to gather information. Rachel agrees with this in the laws of management which says library resources are for use. A library manager is expected to connect resources with the user achieving the library goals. Through the liaison role a manager is able to network with other libraries. Academic libraries can practice resource sharing if there are shortages of material in specific departments the two libraries can share the available resources to both libraries and this will give the patrons a wide variety of information thus fulfilling their needs, this will improve efficiency. The manager is exposed to new ideas or methods that may improve the work unit operations. The manager initiates activities that will allow and encourage the work unit to use the idea most advantageously. Rachel’s law of management says that a library is a growing organism. A manager needs to open to change and help the library evolve to meet the needs of patrons. We can look at public library, the introduction of automation the staff may resist change having fear of losing their jobs thus a manager is responsible for encouraging and motivating the staff showing them the advantages of automating the library services and how it can reduce their workload, providing training for them thus the duties are performed effectively and efficiently satisfying the needs of different patrons. An effective manager is an active leader who creates a positive work environment in which the organization and its employees have the opportunity and incentive to achieve high performance (†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. ) In order to perform duties effectively and efficiently Rachel says that â€Å"every task its doer†. The manager encourages ownership and responsibility to each staff member. Every staff member his/ her work, the manager must know people’s skills and strength and staff can then be deployed according to their abilities then the duties can be done perfectly improving effectiveness and efficiency in a library. Even though the staff is divided according to their abilities it is the duty of a manager to create a spirit oneness and togetherness amongst the subordinates. They should work as a team to achieve the library goals; Bavakuty M (2000) agrees that libraries can become effective and efficient by â€Å"strong top management support, a system approach and strategic planning, a customer focus, an emphasis on employee team work, empowerment training, the use of measurement and analysis technique and commitment to continuous improvement†. The manager seeks and receives wide variety of special information to develop through the understanding of the library and the environment, emerges as the nerve centre about the library. The manager monitors internal and external events, ideas, trends and analysis. The manager then uses the information to detect changes, problems and opportunities and to construct decision making scenario. The manager as the disseminator transmits information from other employees to other members of the library. The manager can bring external information received into the organization and facilitate internal flow of information. Thus we realize that management is the heart of any type of library and facilitate efficiency and effectiveness. BIBLIOGRAPHY Bavakutty, M (2000). Management of libraries In the 21st Century. Ess Ess Publication. India. Griffin, R. (1987). Management 2nd editition. Maffin Co Mohant, T. C. (2008). Research Methodology in Library Science. alpha Publishers India. Plunket, R. (1983). Introduction to Management. Kent Publication. United States of Amenrica.

Salem Possessed essays

Salem Possessed essays In the past, the word Salem has always been somewhat synonymous with the infamous witch trials. Rather than overlook the ordinary people living in the towns in which Paul Boyer and Stephen Nissenbaum write, they instead take the instance of the witch trials of 1692 and springboard from them into a detailed inquisition into the entire history of the small village of Salem. In their own words, Boyer and Nissenbaum have exploited the focal events of 1692 somewhat as a stranger might make use of a lightning flash in the night. That is to say, the authors strive to show how the witch trials were not simply a completely spontaneous event, but rather a long, horrible process by which individuals were singled out, tried, and executed in order to vent emotions of hostility towards change. Boyer and Nissenbaum proposed that one difference between the accusers and the accused was a difference of economic status. The way in which the authors go about this, however, is in a somewhat difficult to comprehend style that goes back and forth between the years, forcing one to rethink all the facts thus far each time a new chapter is introduced. In addition, the authors tend to focus mostly on the social and economic aspects of witchcraft, with little to nothing as far as further explanation of the actions of the women accused. In the year 1692, the small farming village of Salem, Massachusetts saw a social phenomenon that would propel the village into the history books: the calamity that was witchcraft. The witch trials were initiated whenever three young girls, Betty Parris, Abigail Williams, and Ann Putnam were caught performing fortune telling rituals in the woods, trying to gather information on what type of man would be best for them. Soon thereafter, the girls began experiencing hysterical fits, prompting Betty Parriss father, Reverend Samuel Parris, to call in the authorities to confirm the cause of the girls symptoms. The authoriti...

Beauty is not so easily measured

It is a story about beauty and this man’s relationship to beauty, and the psychological relationship he has to the idea of beauty and what is behind the idea of beauty. Yasunari wrote â€Å"The Man Who Did Not Smile† as a first-person account from the film writer’s standpoint.   The man is on location for a film he has written about patients in a mental hospital, and is in the process of discovering a final scene for his film.   He finds it one morning while â€Å"gazing out on the Kamo River,† (Yasunari, 1929/1990, p. 128) upon waking, finding himself amid the memories of a previous day and recalling a mask that he had seen in a display window.   It is that image that gives him the idea for his final scene of the movie, â€Å"a daydream† (p. 129) filled with masks of smiling faces. The search for the masks to be used in the film becomes the central drama of the story—and the protagonist’s relationship to those masks once he takes them to his wife and children after the filming of the movie is complete.   The masks are delicate and the actors must handle them carefully.   Yet, there is some power within those masks.   The film writer decides to buy them so they can be handled without fear of them being destroyed, and it is in the power of those masks that the protagonist realizes his own relationship with beauty. â€Å"Well then, I’ll buy them.   I did actually want them.   I daydreamed as if awaiting the future when the world would be in harmony and people would all wear the same gentle face as these masks.   (p. 131) His children love the masks, but he refuses to wear them.   His wife agrees to put one on, and it is in that moment that he discovers his true relationship to his wife’s beauty.   â€Å"The moment she removed the mask, my wife’s face somehow appeared ugly† (p. 131).   It is as though he is seeing her face for the first time—and his own idea of her beauty, or, in this case, the â€Å"ugliness of her own countenance† (p. 131).   As his wife lay in the hospital bed, he is faced not only with a new idea of beauty, but his own sense of self—one that might appear as â€Å"an ugly demon† (p. 132) to his wife.   He would be exposed to his real self, his true nature. Psychologist C. G. Jung writes that the mask can be seen as the outer persona we show to the world, the way we want to be seen (Jung, 1929/1983, p. 96).   â€Å"The mask is the ad hoc adopted attitude, I have called the persona, which was the name for the masks worn by actors in antiquity† (Jung, 1921/1983, p. 98).   The narrator is forced to confront not only what lies behind his wife’s beauty/ugliness, but also his idea of his own beauty/ugliness.   The â€Å"beautiful mask† (p. 132) reveals another question, too:   whether or not the face he sees on his wife could be artificial, too, â€Å"just like the mask† (p. 132).   It’s a perplexing question, but one that reveals, like the mask, much about the filmmaker’s relationship to himself and his world. While the idea of beauty colors Yasunari’s 1963 â€Å"palm-of-the-hand† story â€Å"Immortality,† the concept of eternal love is the central theme.   In this short story, two lovers have reunited after being apart for at least five decades—but their reunion comes in the afterlife, as they are now each dead.   Yasunari presents a portrait of an eighteen-year-old girl and a man sixty years her senior walking through some woods in a land they’d both known together while alive.   The scene is haunting as the girl is not aware the man has passed on into the afterlife until the end, when, upon that realization, the two â€Å"go into the tree and stay† (Yasunari, 1963/2005, p. 326). The love between the two has been eternal, in a sense—the girl killed herself because of her love for the man when they had to separate, and he wound up spending much of his life on the land overlooking that spot in the ocean where she died. The man has returned to the land where she died to reclaim her.   He wants to be with her forever.   However, he doesn’t know he is dead, and neither does she. Once she realizes he, too, is dead, they are able to reunite into eternity in nature, merging themselves into an old tree where they will live forever. Like â€Å"The Man Who Did Not Smile,† Yasunari uses the idea of beauty and the mask that we wear—Jung’s â€Å"persona†Ã¢â‚¬â€as an aspect of â€Å"Immortality.†Ã‚   The girl tells the old man, Shintaro, that she has lived in the afterlife with the image of him as a young man.   â€Å"You are eternally young to me,† (p. 325) she says, even though the man is now old. If I hadn’t drowned myself and you came to the village now to see me, I’d be an old woman. How disgusting.   I wouldn’t want you to see me like that.   (p. 325) For the girl, memories are important.   Her spirit carries them as she lives in the afterlife.   Scholar James Hillman says that memories are important for the soul, carrying with them energy that thrives for the departed person.   The girl realizes this, too, in a way:   â€Å"If you were to die, there wouldn’t be anyone on earth who would remember me,† she says (p. 325). The soul, they say, needs models for its mimesis in order to recollect eternal verities and primordial images.   If in its life on earth it does not meet these as mirrors of the soul’s core, mirrors in which the soul can recognize its truths, then its flame will die and its genius wither.   (p. 159) The girl imagines ugliness representing old age—that ancient mask we all wear once we have passed from the prime years of our life.   Even though the old man is wearing that mask, she doesn’t see it:   she has only her memories carried with her at the time of her death, so she sees him as an eighteen-year-old, also.   For the man, he never experienced his lover as an old woman; thus, her youth is indeed eternal for him. Yasunari uses few characters in both stories, keeping each â€Å"palm-of-the-hand† short and simple.   The narrator in â€Å"The Man Who Did Not Smile† is joined by the mask buyer, his wife, and his children in the tale, while it is only Shintaro and his young lover in â€Å"Immortality.†Ã‚   We do not see deeply driven characterization in either story, as Yasunari essentially paints portraits of each actor through their thoughts and actions.   Like a beautiful painting of a sunset or sunrise, we must use our imagination amidst the texture and colors of the painting to grasp its deeper meaning. Indeed, Yasunari’s beautiful use of words shines in both stories in his colorful imagery.   It is simple:   â€Å"An old man and a young girl were walking together,† he writes to begin â€Å"Immortality.†Ã‚   He ends that story almost the same way he begins â€Å"The Man Who Did Not Smile†Ã¢â‚¬â€with the picture of the sky. The color at evening began to drift onto the small saplings behind the great trees.   The sky beyond turned a faint red where the ocean sounded.   (p. 326). â€Å"The Man Who Did Not Smile,† on the other hand, begins with the image of the sky as well.   â€Å"The sky had turned a deep shade; it looked like the surface of a beautiful celadon porcelain piece† (p. 128).   It is a daydream of sorts, a beautiful portrait into which Yasunari takes the reader as he moves through the inner world of the film writer. Both stories are magical.   It is the â€Å"magic of those trees† (p. 325) that captures the imagination of Shintaro and his young lover.   Those trees are part of land his family owned, and he later sold to the men who turned the land into a golfer’s driving range.   The trees are on land overseeing the ocean where the girl jumped to her death.   Trees are sacred and magical in many mythologies.   Buddha gained enlightenment under the Bodhi Tree, and many myths use trees as the focus for rebirth (Anderson, 1990, p. 25).   In the same regard, the ocean, too, is a mythical place:   from where gods and goddess reside and in the Greek legend Odysseus sailed before being reuniting with his lover (Anderson, p. 25). The magic of â€Å"The Man Who Did Not Smile† comes in the healing properties of the masks.   It is through the image of the mask that the film writer is able to create an ending for his story—a â€Å"beautiful daydream† (p. 128) to conclude the â€Å"dark story† (p. 129).   The masks represent his own distrust of himself and the world around him, covering with an artificial beauty the truth that lies behind them.   The masks magically hide what is true and meant to be revealed—whether it is an â€Å"ugly demon† (p. 132) or an â€Å"ever-smiling gentle face† (p. 132). What is also interesting about â€Å"The Man Who Did Not Smile† is in how the film writer’s screenplay is based on a scene inside a mental hospital.   We learn later that his wife is in a hospital of sorts—and we never learn the exact nature of her illness.   Could it be a mental hospital?   And might her hospitalization also be a reflection of his â€Å"gloomy† personality (p. 129)?   He’s afraid of what is hiding behind the masks—so much that his initial reaction to putting on the mask himself is fear.   â€Å"The mask is no good.   Art is no good† (p. 132).   Masks and art each reveal the hidden dimensions.   The film writer himself uses his films to balance his own â€Å"gloomy† personality.   Yet the shadows of life are revealed through film and art, and are experienced in hospitals.   Each is an aspect of â€Å"The Man Who Did Not Smile.† Yasunari gives much to think about regarding our relationship to each other and ourselves in â€Å"The Man Who Did Not Smile,† and to our relationship with the magic of eternal love in â€Å"Immortality.†Ã‚   Both reveal the hidden aspects of our existence on earth, offering us a short look at the feeling of living in a world of melancholy and loneliness amid what we call beauty.   Our own mortality rises from the depths of eternity through these stories, and it is in the hidden beauty of our daily lives that Yasunari’s works can be realized. Bibliography Anderson, William.   (1990).   Green man:   The archetype of our oneness with the earth. London:   HarperCollins. Hillman, James.   (1996).   The soul’s code.   New York:   Warner Books. Jung, C. G.   (1983). Definitions.   (R. F. C. Hull,Trans.). In   A. Storr (Ed.). The essential Jung:   Selected writings.   (V. S. de Laszlo, Ed.) (Pp. 97-105).   Princeton:   Princeton University Press.   (Original work published 1921). Jung, C. G.   (1983). The relations between the ego and the unconscious.   (R. F. C. Hull, Trans.). In   A. Storr (Ed.). The essential Jung:   Selected writings.   (V. S. de Laszlo, Ed.) (Pp. 94-97).   Princeton:   Princeton University Press.   (Original work published 1929). Ljukkonen, Petri.   (2005).   Yasunari Yasunari.   Retrieved November 19, 2005 from http://www.kirjasto.sci.fi/Yasunari.htm. Yasunari, Yasunari.   (1990).   The man who did not smile.   (L. Dunlop, Trans.).   In Palm-of-the-hand Stories.   (J. Martin Holman, Trans.).   (Pp. 128-132).   San Francisco:   North Point Press.   (Original work published 1929). Yasunari, Yasunari.   (2005).   Immortality.   In (G. Dasgupta, J. Mei, Ed).   Stories about us.   (Pp. 323-325).   Nashville:   Thomas Nelson Publishers.   (Original work published 1963). Beauty is not so easily measured It is a story about beauty and this man’s relationship to beauty, and the psychological relationship he has to the idea of beauty and what is behind the idea of beauty. Yasunari wrote â€Å"The Man Who Did Not Smile† as a first-person account from the film writer’s standpoint.   The man is on location for a film he has written about patients in a mental hospital, and is in the process of discovering a final scene for his film.   He finds it one morning while â€Å"gazing out on the Kamo River,† (Yasunari, 1929/1990, p. 128) upon waking, finding himself amid the memories of a previous day and recalling a mask that he had seen in a display window.   It is that image that gives him the idea for his final scene of the movie, â€Å"a daydream† (p. 129) filled with masks of smiling faces. The search for the masks to be used in the film becomes the central drama of the story—and the protagonist’s relationship to those masks once he takes them to his wife and children after the filming of the movie is complete.   The masks are delicate and the actors must handle them carefully.   Yet, there is some power within those masks.   The film writer decides to buy them so they can be handled without fear of them being destroyed, and it is in the power of those masks that the protagonist realizes his own relationship with beauty. â€Å"Well then, I’ll buy them.   I did actually want them.   I daydreamed as if awaiting the future when the world would be in harmony and people would all wear the same gentle face as these masks.   (p. 131) His children love the masks, but he refuses to wear them.   His wife agrees to put one on, and it is in that moment that he discovers his true relationship to his wife’s beauty.   â€Å"The moment she removed the mask, my wife’s face somehow appeared ugly† (p. 131).   It is as though he is seeing her face for the first time—and his own idea of her beauty, or, in this case, the â€Å"ugliness of her own countenance† (p. 131).   As his wife lay in the hospital bed, he is faced not only with a new idea of beauty, but his own sense of self—one that might appear as â€Å"an ugly demon† (p. 132) to his wife.   He would be exposed to his real self, his true nature. Psychologist C. G. Jung writes that the mask can be seen as the outer persona we show to the world, the way we want to be seen (Jung, 1929/1983, p. 96).   â€Å"The mask is the ad hoc adopted attitude, I have called the persona, which was the name for the masks worn by actors in antiquity† (Jung, 1921/1983, p. 98).   The narrator is forced to confront not only what lies behind his wife’s beauty/ugliness, but also his idea of his own beauty/ugliness.   The â€Å"beautiful mask† (p. 132) reveals another question, too:   whether or not the face he sees on his wife could be artificial, too, â€Å"just like the mask† (p. 132).   It’s a perplexing question, but one that reveals, like the mask, much about the filmmaker’s relationship to himself and his world. While the idea of beauty colors Yasunari’s 1963 â€Å"palm-of-the-hand† story â€Å"Immortality,† the concept of eternal love is the central theme.   In this short story, two lovers have reunited after being apart for at least five decades—but their reunion comes in the afterlife, as they are now each dead.   Yasunari presents a portrait of an eighteen-year-old girl and a man sixty years her senior walking through some woods in a land they’d both known together while alive.   The scene is haunting as the girl is not aware the man has passed on into the afterlife until the end, when, upon that realization, the two â€Å"go into the tree and stay† (Yasunari, 1963/2005, p. 326). The love between the two has been eternal, in a sense—the girl killed herself because of her love for the man when they had to separate, and he wound up spending much of his life on the land overlooking that spot in the ocean where she died. The man has returned to the land where she died to reclaim her.   He wants to be with her forever.   However, he doesn’t know he is dead, and neither does she. Once she realizes he, too, is dead, they are able to reunite into eternity in nature, merging themselves into an old tree where they will live forever. Like â€Å"The Man Who Did Not Smile,† Yasunari uses the idea of beauty and the mask that we wear—Jung’s â€Å"persona†Ã¢â‚¬â€as an aspect of â€Å"Immortality.†Ã‚   The girl tells the old man, Shintaro, that she has lived in the afterlife with the image of him as a young man.   â€Å"You are eternally young to me,† (p. 325) she says, even though the man is now old. If I hadn’t drowned myself and you came to the village now to see me, I’d be an old woman. How disgusting.   I wouldn’t want you to see me like that.   (p. 325) For the girl, memories are important.   Her spirit carries them as she lives in the afterlife.   Scholar James Hillman says that memories are important for the soul, carrying with them energy that thrives for the departed person.   The girl realizes this, too, in a way:   â€Å"If you were to die, there wouldn’t be anyone on earth who would remember me,† she says (p. 325). The soul, they say, needs models for its mimesis in order to recollect eternal verities and primordial images.   If in its life on earth it does not meet these as mirrors of the soul’s core, mirrors in which the soul can recognize its truths, then its flame will die and its genius wither.   (p. 159) The girl imagines ugliness representing old age—that ancient mask we all wear once we have passed from the prime years of our life.   Even though the old man is wearing that mask, she doesn’t see it:   she has only her memories carried with her at the time of her death, so she sees him as an eighteen-year-old, also.   For the man, he never experienced his lover as an old woman; thus, her youth is indeed eternal for him. Yasunari uses few characters in both stories, keeping each â€Å"palm-of-the-hand† short and simple.   The narrator in â€Å"The Man Who Did Not Smile† is joined by the mask buyer, his wife, and his children in the tale, while it is only Shintaro and his young lover in â€Å"Immortality.†Ã‚   We do not see deeply driven characterization in either story, as Yasunari essentially paints portraits of each actor through their thoughts and actions.   Like a beautiful painting of a sunset or sunrise, we must use our imagination amidst the texture and colors of the painting to grasp its deeper meaning. Indeed, Yasunari’s beautiful use of words shines in both stories in his colorful imagery.   It is simple:   â€Å"An old man and a young girl were walking together,† he writes to begin â€Å"Immortality.†Ã‚   He ends that story almost the same way he begins â€Å"The Man Who Did Not Smile†Ã¢â‚¬â€with the picture of the sky. The color at evening began to drift onto the small saplings behind the great trees.   The sky beyond turned a faint red where the ocean sounded.   (p. 326). â€Å"The Man Who Did Not Smile,† on the other hand, begins with the image of the sky as well.   â€Å"The sky had turned a deep shade; it looked like the surface of a beautiful celadon porcelain piece† (p. 128).   It is a daydream of sorts, a beautiful portrait into which Yasunari takes the reader as he moves through the inner world of the film writer. Both stories are magical.   It is the â€Å"magic of those trees† (p. 325) that captures the imagination of Shintaro and his young lover.   Those trees are part of land his family owned, and he later sold to the men who turned the land into a golfer’s driving range.   The trees are on land overseeing the ocean where the girl jumped to her death.   Trees are sacred and magical in many mythologies.   Buddha gained enlightenment under the Bodhi Tree, and many myths use trees as the focus for rebirth (Anderson, 1990, p. 25).   In the same regard, the ocean, too, is a mythical place:   from where gods and goddess reside and in the Greek legend Odysseus sailed before being reuniting with his lover (Anderson, p. 25). The magic of â€Å"The Man Who Did Not Smile† comes in the healing properties of the masks.   It is through the image of the mask that the film writer is able to create an ending for his story—a â€Å"beautiful daydream† (p. 128) to conclude the â€Å"dark story† (p. 129).   The masks represent his own distrust of himself and the world around him, covering with an artificial beauty the truth that lies behind them.   The masks magically hide what is true and meant to be revealed—whether it is an â€Å"ugly demon† (p. 132) or an â€Å"ever-smiling gentle face† (p. 132). What is also interesting about â€Å"The Man Who Did Not Smile† is in how the film writer’s screenplay is based on a scene inside a mental hospital.   We learn later that his wife is in a hospital of sorts—and we never learn the exact nature of her illness.   Could it be a mental hospital?   And might her hospitalization also be a reflection of his â€Å"gloomy† personality (p. 129)?   He’s afraid of what is hiding behind the masks—so much that his initial reaction to putting on the mask himself is fear.   â€Å"The mask is no good.   Art is no good† (p. 132).   Masks and art each reveal the hidden dimensions.   The film writer himself uses his films to balance his own â€Å"gloomy† personality.   Yet the shadows of life are revealed through film and art, and are experienced in hospitals.   Each is an aspect of â€Å"The Man Who Did Not Smile.† Yasunari gives much to think about regarding our relationship to each other and ourselves in â€Å"The Man Who Did Not Smile,† and to our relationship with the magic of eternal love in â€Å"Immortality.†Ã‚   Both reveal the hidden aspects of our existence on earth, offering us a short look at the feeling of living in a world of melancholy and loneliness amid what we call beauty.   Our own mortality rises from the depths of eternity through these stories, and it is in the hidden beauty of our daily lives that Yasunari’s works can be realized. Bibliography Anderson, William.   (1990).   Green man:   The archetype of our oneness with the earth. London:   HarperCollins. Hillman, James.   (1996).   The soul’s code.   New York:   Warner Books. Jung, C. G.   (1983). Definitions.   (R. F. C. Hull,Trans.). In   A. Storr (Ed.). The essential Jung:   Selected writings.   (V. S. de Laszlo, Ed.) (Pp. 97-105).   Princeton:   Princeton University Press.   (Original work published 1921). Jung, C. G.   (1983). The relations between the ego and the unconscious.   (R. F. C. Hull, Trans.). In   A. Storr (Ed.). The essential Jung:   Selected writings.   (V. S. de Laszlo, Ed.) (Pp. 94-97).   Princeton:   Princeton University Press.   (Original work published 1929). Ljukkonen, Petri.   (2005).   Yasunari Yasunari.   Retrieved November 19, 2005 from http://www.kirjasto.sci.fi/Yasunari.htm. Yasunari, Yasunari.   (1990).   The man who did not smile.   (L. Dunlop, Trans.).   In Palm-of-the-hand Stories.   (J. Martin Holman, Trans.).   (Pp. 128-132).   San Francisco:   North Point Press.   (Original work published 1929). Yasunari, Yasunari.   (2005).   Immortality.   In (G. Dasgupta, J. Mei, Ed).   Stories about us.   (Pp. 323-325).   Nashville:   Thomas Nelson Publishers.   (Original work published 1963).

Discuss Mark Twain's portrayal of women in Adventures of Huckleberry Essay

Discuss Mark Twain's portrayal of women in Adventures of Huckleberry Finn - Essay Example While most of the characters represent various members of the male society, there are a significant number of women who play an essential role within the novel. For Twain, there seems to be basically three types of women – the harridan, the sweetly stereotypical Victorian housewife and the intelligent. These types are portrayed within the novel Adventures of Huckleberry Finn through the characters of Miss Watson as the spinsterly old maid, the older Wilks sisters as the properly trained young ladies and the intelligent Mrs. Judith Loftus and Joann Wilks comprising the final set. In the very opening of the book, Twain introduces us to the two most common type of women, the Widow Douglas and her sister Miss Watson. The image we get of Miss Watson is rather grim. She is â€Å"a tolerable slim old maid, with goggles on† who immediately â€Å"took a set at me now with a spelling-book. She worked me middling hard for about an hour, and then the widow made her ease up† (3). While the Widow Douglas is seen as interfering in that she insists on trying to ‘sivilise’ Huck, Miss Watson is nagging in her criticisms. â€Å"Miss Watson would say, ‘Don’t put your feet up there, Huckleberry;’ and ‘Don’t scrunch up like that, Huckleberry – set up straight;’ and pretty soon she would say, ‘Don’t gap and stretch like that, Huckleberry – why don’t you try to behave?’† (4). She is such an unpleasant woman to be around that Huck decides he’d rather go to †˜the bad place’ rather than the good place where Miss Watson has announced she will go. This depiction of her makes it not so surprising that she is an old maid rather than a widow. In contrast to Miss Watson, her sister the Widow Douglas is an older version of the types of girls that Huck meets while on his adventures. The Wilks sisters have been bred to be so